Western Stereotypes of Central and Western Asians are oversimplified generalisations against people from or with ancestry in Central Asia (including Afghanistan, Kazakhstan, Mongolia, Uzbekistan, etc.) and Western Asia (including Iran, Iraq, Israel, Saudi Arabia, Turkey, etc.).
Common stereotypes have become more prevalent in Western countries especially after 9/11. There have been hate crimes against people of Western Asian origin, who are mostly Muslims, in the USA.[1] Many people who have Muslim names have also been detained at American airports.[2]
Central Asia especially the Former Soviet-bloc, is often seen as a backwards region, where everyone lives on subsistence farming, and everyone has strange customs.
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In his essay "Arabs in Hollywood: An Undeserved Image", Scott J. Simon argues that of all the ethnic groups portrayed in Hollywood films, "Arab culture has been the most misunderstood and supplied with the worst stereotypes".
The American media stereotypes Arabs and Muslims as billionaires, belly dancers, bombers, and terrorists with little regard for human life, especially in the post-9/11 world.[1] Many movies feature Arab terrorist villains threatening to blow things up, including Black Sunday and Wanted: Dead or Alive. The stereotypical appearance of such Arabs includes beards and keffiyehs. The stereotype of the Arab billionaire may have its roots in the 1973 oil crisis. Arab women are usually portrayed as exotic belly dancers who are mute, subservient, and repressed. A number of American movies picture the U.S. military killing Arabs, such as Rules of Engagement, Iron Eagle, and Executive Decision.
Jewish people are sometimes stereotyped in media as cheap and greedy, with exaggerated Semitic physical features such as big, hooked noses, big lips, small eyes, and olive-colored skin. Oftentimes, these stereotypes are based upon antisemitic canards--for instance, having dual loyalty, controlling certain institutions such as the media, being inherently evil, and possessing sexual perversion. Other stereotypes include the complaining and guilt inflicting Jewish mother stereotype, the spoiled and materialistic Jewish-American Princess and the Nice Jewish Boy.
In early films such as Cohen's Advertising Scheme (1904, silent) stereotyped Jews as "scheming merchants"[2]
Turks are also depicted in similar fashion to Arabs in dress and writing and Turkey is portrayed as a theocratic country, due to the fact the majority of people in Turkey are practicing Muslims. However, Turkish is entirely unrelated to Arabic and today Turkish is written in the Latin alphabet that was introduced in 1928 and replaced the Arabic alphabet. The Turkish national dress also differs from Arabic national dresses. And today the Republic of Turkey is a staunchly secular state and has broadly borrowed politically, socially and culturally from the Western world.
Turkey is also mistakenly depicted as a desert dotted with date palms and camels, however Turkey has a diverse terrain, and deserts do not exit, and date palms and camels which are not native are very rare.[3]
"Habib Marwan" (The Arabic name Habib is extremely rare as a given name in Turkey, and the Arabic surname Marwan does not exist as a Turkish surname; and the letter "W" does not exist in the Latin-based Turkish alphabet) from 24 is one of the more well-known "Turkish" character in the mold of this stereotype.
"The Turk", a Turkish Mafioso in the dark comedy film Buffalo Soldiers and "Ahmet Sunay", a Turkish High-Tech Missile Guidance System dealer and "businessman" in the thriller film The International, both played by Turkish actor Haluk Bilginer is another similar stereotype.
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